By Sarah Marylou Brideau
Dans ce recueil, les poèmes sont autant de rapprochements, de tentatives de retour vers l'autre en son absence : celui qu'on aime de tout son être, qui laisse un vide lorsqu'il half. Ne reste derrière lui que ces mots qui n'appartiennent qu'à ses lèvres, que ces chansons-soupirs des battements de son cœur.
L'écriture ici se fait sensuelle, franche, à fleur de l'être. « Plume de lumière » contre l. a. peau, elle glisse sur les corps. Devient parfois une lame chaude.
Read or Download Cœurs nomades PDF
Similar poetry books
This new serious version, together with Mark Musa’s vintage translation, presents scholars with a transparent, readable verse translation observed by way of ten leading edge interpretations of Dante’s masterpiece.
What do "self" and "it" have in universal? In Rae Armantrout's new poems, there isn't any inert substance. Self and it (word and particle) are ritual and rigmarole, song-and-dance and lengthy distance name into no matter what darkish topic may exist. How might a self no longer be egocentric? Armantrout accesses the strangeness of daily prevalence with wit, sensuality, and an eye fixed alert to underlying trauma, as within the poem "Price Points" the place a guy conducts an imaginary orchestra yet "gets no issues for originality.
The best of the heroic epics to emerge from medieval Germany, the Nibelungenlied is a revenge saga of sweeping dimensions. It tells of the dragon-slayer Sivrit, and the mysterious nation of the Nibelungs with its valuable treasure-hoard guarded through dwarves and giants, of Prünhilt the Amazonian queen, fortune-telling water-sprites and a cloak of invisibility.
(Robert John) Wace (c. 1100 - c. 1174) used to be an Anglo-Norman poet, who used to be born in Jersey and taken up in mainland Normandy. Roman de Brut (c. 1155) used to be in line with the Historia Regum Britanniae of Geoffrey of Monmouth. Its recognition is defined via the recent accessibility to a much wider public of the Arthur legend in a vernacular language.
- Chinese Whispers
- Le Poisson soi
- Faces of Love: Hafez and the Poets of Shiraz (Penguin Classics Deluxe)
- Turning into Dwelling: Poems (Graywolf Poetry Re/View Series)
- Todos los poemas (1975-2012)
Extra info for Cœurs nomades
I was my own church. Except— scared, scared. ( 16 ) Diary of a Year without Pictures 5/13/06 Watching “Surviving the Icelandic Sea”— The ship is also the processor. There is a trough for spines, dumps to the ocean when he walks in the room like read it and weep. Somehow, I deserve this. The man who swam on his back for two days spoke to myself. Spoke to the gulls. Pulled his body to a shore of lava fields. No one believed him. They kept putting me back in. All my life, for research. Why have you not given up on us?
This is not so far. Look at the eye of an ape, a dog: looks enough like me. But try: fish. Lobe-fin, bone of coelacanth. Try new bodies for new lives. I’d make a fine suit of love and disappear. 8: IN WHICH THEY MEMORIZE. The crooked tooth who went first. The way something blew your scarf as you ran, tossing off musts. The tyranny of dawn, repeating. The snow-like window between us. The shouldering through. The cardinal that flew from a wound. ( 40 ) The spill of your hair-thin chain as it broke while we slept and the gold links became us, and the locket was swallowed.
Except— scared, scared. ( 16 ) Diary of a Year without Pictures 5/13/06 Watching “Surviving the Icelandic Sea”— The ship is also the processor. There is a trough for spines, dumps to the ocean when he walks in the room like read it and weep. Somehow, I deserve this. The man who swam on his back for two days spoke to myself. Spoke to the gulls. Pulled his body to a shore of lava fields. No one believed him. They kept putting me back in. All my life, for research. Why have you not given up on us?