By Megan Abbott
By the writer of Dare Me and The finish of Everything
[b]On October 7, 1949, dark-haired starlet Jean Spangler kissed her five-year-old daughter goodbye and left for an evening shoot at a Hollywood studio. "Wish me luck," she stated as she crossed her hands, winked, and walked away. She was once by no means noticeable back. the one clues left at the back of: a handbag with a damaged strap present in a close-by park, a cryptic be aware, and rumors approximately mobster boyfriends and ill-fated romances with motion picture stars.
Drawing in this true-life lacking individual case, Megan Abbott’s The track Is You tells the tale of Gil "Hop" Hopkins, a smooth-talking Hollywood publicist whose profession, regardless of his advanced own lifestyles, is at the upward push. it truly is 1951, years after Jean Spangler’s disappearance, and Hop unearths himself unwillingly drawn into the nonetheless unsolved secret through a chum of Jean who blames Hop for concealing information about Jean’s whereabouts the evening she vanished. pushed through guilt and worry of blackmail, Hop delves into the case himself, feverishly attempting to remain one step prior to an intrepid girl reporter additionally chasing the tale. Hop suggestion he’d visible all of it, yet what he uncovers either tantalizes and horrifies him as he plunges deeper and deeper into Hollywood’s substratum in his try to discover the truth.
In the culture of James Ellroy’s The Black Dahlia and Joyce Carol Oates’s Blonde, The track Is You conjures a heady brew of fact and hypothesis, of truth and pulp fiction, taking the reader on a gloomy journey of Tinseltown, from motion picture studios, gala premieres, and posh nightclubs to gangsters, blackmailing B-girls, and the darkest secrets and techniques that lie in the back of Hollywood’s luminous façade. on the middle of all of it is Hop, a guy torn among cutthroat ambition and his personal most sensible intentions.
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Extra resources for The Song Is You: A Novel
Neumeyer, Juvenile Delinquency in Modern Society, Second Edition, New York: Van Nostrand, 1955, p. 152 ; James F. , "Differential Association as a Hypothesis: Problems of Empirical Testing", Social Problems,8 (Summer, 1960), pp. 14-25; Trice, op. ; S. Kirson Weinberg, "Theories of Criminality and Problems of Prediction", Journal ofCriminal Law and Criminology, 45 (November-December, 1954), pp. 412--429. 21 See the statement on p. 19, above. 22 Op. , p. 182. "23 Such statements are not so much errors in interpretation of the differential association statement as they are errors regarding the role of theory, hypotheses and facts in scientific research.
10 A further complication in this regard arises because some crimes become known to the police only if a victim complains, while other offences become known by direct observation on the part of the police. Cases of drunken driving, for example, usually get into police records only if observed by a policeman, while cases of burglary usually become known to the police as a result of a report by the victim. The ratio of offences committed to offences known probably is greater for those offences that get into police records only when observed by the police than for those which get into the reports as a result of complaints by victims.
63--65. 36 INTRODUCTION TO THE THEORY and sometimes as "forgery," making it impossible to get a close estimate of the amount of variation in time of anyone of these offences. 12 Fifth, when comparisons are made, the mere number of crimes known to the police is not sufficient. What is needed is statements of rates-the number of crimes in proportion to the number of population or in proportion to some other base. But determination of this base is sometimes almost as difficult as determination of the crime ratio itself.