By Christopher Fowler
Publication four within the Bryant & may perhaps sequence. often known as "A extraordinary Crimes Unit Mystery."
It's against the law tailored for the strange Crimes Unit: a arguable artist is murdered and displayed as a part of her personal outrageous set up. No suspects, no rationale, no facts - it's company as ordinary for the Unit's cantankerous founding companions, Arthur Bryant and John may perhaps. yet this time they've got an eyewitness. in line with twelve-year-old Luke Tripp, the killer was once a cape-clad highwayman atop a black stallion.
As improbable because the boy's tale sounds, Bryant and should take it heavily while “The Highwayman” is noticed back, remarkable a dramatic pose on the scene of his subsequent outlandish homicide. regardless of the killer's actual identification, he turns out reason on killing off a string of youth celebrities whereas changing into one himself.
As the tabloids glance to make a short package on “Highwayman Fever,” Bryant and will, besides the most recent member of the Unit, May's agoraphobic granddaughter, April, locate themselves checking out a case regarding an not going blend of creative rivalries, sleazy intercourse affairs, the Knights Templars, and highway gang feuds. To do it, they're going to need to use each orthodox - and unorthodox - skill at their disposal, together with fantasy, witchcraft, and the psychogeographic historical past of the city's “monsters,” previous and present.
And if one unsolvable crime weren't adequate, this situation has tense hyperlinks to a decades-old killing spree that just about destroyed the partnership of Bryant and will as soon as before…and may perhaps back. The unusual Crimes Unit is one homicide clear of being closed down for reliable - and that homicide will be their very own.
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From Publishers Weekly:
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Extra info for Ten Second Staircase (Bryant & May, Book 4)
The lack of strong, consistent anti-racketeering statutes also made prosecution of these crimes much more problematic in the 1920s than in later years. Adulteration of bootleg alcohol also did not occasion much attention or sympathy from police. During Prohibition, alcohol was an illegal commodity, and police were much more concerned with arresting shippers, importers and (occasionally) consumers than with guaranteeing the quality of alcoholic beverages. In other words, when the market for alcohol was transferred to the informal economy, there was no opportunity to inspect or regulate production.
As one memoir describes, . . , criminal syndicate] . . muscled in on any side: union, management, strikers, strikebreakers. Such labor groups as the plasterers’ union (in which Louis Capone and his brother [Al] were powers), the painters’ union (in which several murders were done during a war in the early thirties) and the longshoremen (play toy of Anastasia, the dock czar) felt the impact especially forcefully. Many operators of large trucking fleets and bakers who supplied the city with its daily bread had to pay tribute.
Assuming market demand remained relatively constant after enactment of the Volstead Act, the millions of dollars formerly collected by the State of Pennsylvania would be lost to the public sector, while the profits of the trade would be transferred to racketeers and bootleggers in the informal economy. These profits were further amplified by monopoly pricing and adulteration of alcohol. “Drinks that once cost a nickel before Prohibition could cost fifty cents or more after the enactment of the new laws” (Drowne and Huber, 2004:14).